Toys

Stock up now with this filter six pack, just the equipment you need to easily take care of your pool. Filter the water in your pool to keep it attractive and refreshing all season Measures 4.25 in diameter x 8 in tall, Filters should be rinsed daily with a garden hose and will usually lasts up to 2 -3 weeks with normal usage. FITS INTEX, * 58631 * 58603 * 56635 * 58623 * 56635 FIT KRYSTAL KLEAR, * 12 * 12R * 02 * 108 * 108R * 635 * 603 * 637

The falling water action from this Waterwheel Play Table encourages creative exploration with cause and effect learning. This imaginative water play center encourages hours of outdoor fun. Pour water into the wide funnel, and activate the water wheel which then spills into the inner and outer harbors. Two molded-in sections function as canals, boats, lakes, harbors and more. An elevated design keeps water at toddler level and also keeps ground dirt clear of water and mud from forming on children's feet. It accommodates up to three children to encourage group play. Two built-in drain plugs allow for easy water removal. The four piece accessory set includes: one cup, two sailboats, and one water wheel tower. Features decorative molded-in fish designs on legs. It can holds up to four gallons of water.

1000 gal/hr Filter PumpFilters 1000 gallons (3785 L) of water per hour110 - 120 Volt filter pumpEasy Installation - just hook up hoses and plug in! (partial assembly Req'd)Easy to Clean, replaceable filter cartridgeConforms to UL and CSA StandardsKrystal Clear model 637R - for Intex 15 ft (457 cm) Round Frame Pools and Easy Set Pools

To gauge the magnitude of Israel Kamakawiwo'ole's popularity in his native Hawaii, consider this: following his death in 1997 (at age 38, attributed to his profound obesity), Kamakawiwo'ole's body lay in state in the state capitol, only the second person to receive such an honor. Kamakawiwo'ole's appeal lies in his love for prestatehood, precondominium Hawaii and the expressiveness of his gently passionate voice, which can float through higher registers with an ease that brings Johnny Mathis to mind. Several selections ("Ka Pua U'i," "White Sandy Beach of Hawai'i," the sun-kissed "La 'Elima") feature Kamakawiwo'ole in a traditional mood, using only his ukulele to adorn the charm of his native lyricism. Others, such as the Jimmy Buffett-like "Maui Hawaiian Sup'pa Man" add playful contemporary touches that suit Kamakawiwo'ole's style. Most touching are the string-backed laments that open and close the album, "Hawai'i '78 Introduction" and "Hawai'i '78," initially a reflection on his father's death, later on the passing of Hawaii's native culture. Best known is his medley "Somewhere over the Rainbow/What a Wonderful World," which played over the closing credits of the film Meet Joe Black. --Terry Wood

There's a smart balance of traditional Hawaiiana and contemporary tunes on this CD. There's heart-tugging warmth along with unexpected chuckles. The end result is a candid, honest reinforcement of his vocal breadth.

Journey into the fantastical world of LABYRINTH, starring David Bowie and a cast of incredible creatures created by Jim Henson and produced by the Master of Myth, George Lucas! Frustrated with babysitting on yet another weekend night, Sarah, a teenager with an active imagination, summons the Goblins from her favorite book,"LABYRINTH," to take her baby stepbrother away. When little Toby actually disappears, Sarah must follow him into the world of the fairy tale to rescue him from the wicked Goblin King (Bowie)! Guarding his castle is The Labyrinth itself, a twisted maze of deception, populatedwith outrageous characters and unknown dangers. To get through it in time to save Toby, Sarah will have to outwit the King by befriending the very Goblins who protect him, in hopes that their loyaltyisn't just another illusion in a place where nothing is as it seems!

Sarah (a teenage Jennifer Connelly) rehearses the role of a fairy-tale queen, performing for her stuffed animals. She is about to discover that the time has come to leave her childhood behind. In real life she has to baby-sit her brother and contend with parents who don't understand her at all. Her petulance leads her to call the goblins to take the baby away, but when they actually do, she realizes her responsibility to rescue him. Sarah negotiates the Labyrinth to reach the City of the Goblins and the castle of their king. The king is the only other human in the film and is played by a glam-rocking David Bowie, who performs five of his songs. The rest of the cast are puppets, a wonderful array of Jim Henson's imaginative masterpieces. Henson gives credit to children's author and illustrator Maurice Sendak, and the creatures in the movie will remind Sendak fans of his drawings. The castle of the king is a living M.C. Escher set that adults will enjoy. The film combines the highest standards of art, costume, and set decoration. Like executive producer George Lucas's other fantasies, Labyrinth mixes adventure with lessons about growing up. --Lloyd Chesley

Grammy Winning, Platinum selling Artists They Might Be Giants formed as a duo in 1982.\n\nFollowing a successful decade, in the late 90s the band began expanding their horizons into television, movies, and the internet, notably contributing the opening th

They Might Be Giants are like the handful of best-selling authors who also happen to be doctors or astrophysicists: They do two things so well--in their case kids' music and grown-up music--that it seems a little unfair, like the talent scale has been tipped too hard in their favor. Like Here Come the 123s, the follow-up to 2005's Here Come the ABCs, and TMBG's third kids' record. Here the Johns--Linnell and Flansburgh--are up to their usual smart shenanigans: In "Seven," a bunch of skinny numerals crash a stranger’s living room before settling in for some cake, and in "Nine Bowls of Soup" an ichthyosaur is so enamored of soup he works out a way to balance a multitude of bowls on his scaly body. The brilliance isn’t limited to the lyrics. The Johns know a thing or 1-2-3 about crafting seriously jammable music. Highights include “High Five,” a flippy, freewheeling dab of disco, and “One Everything,” a juiced-up, jangly rocker with a message for listeners ages 3 to 93: an untidy room actually is an insult to the omniverse. --Tammy La Gorce

There is greatness in film that can be discussed, dissected, and talked about late into the night. Then there is genius that is right in front of our faces--we smile at the spell it puts us into and are refreshed, and nary a word needs to be spoken. This kind of entertainment is what they used to call "movie magic," and there is loads of it in this irresistible computer animation feature. Just a picture of these bright toys reawaken the kid in us. Filmmaker John Lasseter thinks of himself as a storyteller first and an animator second, much like another film innovator, Walt Disney.Lasseter's story is universal and magical: what do toys do when they're not played with? Cowboy Woody (voiced by Tom Hanks), Andy's favorite bedroom toy, tries to calm the other toys (some original, some classic) during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he's the real Buzz Lightyear, not a toy. Lasseter further scores with perfect voice casting, including Don Rickles as Mr. Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar for "the development and inspired application of techniques that have made possible the first feature-length computer-animated film." In other words, the movie is great. --Doug Thomas

Guaranteed to work or your money back - PLEASE NOTE ALL MONIES FROM THIS SALE GO TO A 501 (C)3 NO KILL ANIMAL SHELTER

John Lasseter and his gang of high-tech creators at Pixar create another entertainment for the ages. Like the few great movie sequels, Toy Story 2 comments on why the first one was so wonderful while finding a fresh angle worthy of a new film. The craze of toy collecting becomes the focus here, as we find out Woody (voiced by Tom Hanks) is not only a beloved toy to Andy but also a rare doll from a popular '60s children's show. When a greedy collector takes Woody, Buzz Lightyear (Tim Allen) launches a rescue mission with Andy's other toys. To say more would be a crime because this is one of the most creative and smile-inducing films since, well, the first Toy Story. Although the toys look the same as in the 1994 feature, Pixar shows how much technology has advanced: the human characters look more human, backgrounds are superior, and two action sequences that book-end the film are dazzling. And it's a hoot for kids and adults. The film is packed with spoofs, easily accessible in-jokes, and inspired voice casting (with newcomer Joan Cusack especially a delight as Cowgirl Jessie). But as the Pixar canon of films illustrates, the filmmakers are storytellers first. Woody's heart-tugging predicament can easily be translated into the eternal debate of living a good life versus living forever. Toy Story 2 also achieved something in the U.S. two other outstanding 1999 animated features (The Iron Giant, Princess Mononoke) could not: it became a huge box-office hit. --Doug Thomas

Along with Fantasia and Fantasia 2000, the anthology set contains a third disc that examines a segment of both movies in detail. Each segment has an introduction that has experts (including Leonard Maltin), producer Roy E. Disney, or the animators setting up the piece's history. Notes on the music and dozens of design photos are included on all the segments, although others offer more intriguing features. Abandoned animation is shown on many segments, as are a few behind-the-scenes shorts; the most intriguing are experts from Walt Disney's hosted documentaries on how his company made movies. As for the photos, they are awkwardly catalogued and only the most patient of viewers would want to look at all of them. In some segments, though, these images are entertainingly produced as a "story reel," presenting these images--rough animation, sketches, pastel paintings--with the musical accompaniment. For those looking for a more well-rounded view of the films, the two one-hour documentaries on each film's disc lay the groundwork, but none of the anthology looks at how the first film was seen through the years or gives time to anyone who wasn't gung-ho about every element of the films. There is hardly a mention of embarrassing stereotypes that were matted (and still are) out of the "Pastoral" segment, or the intriguing aspect of the film as a '60s icon for the ultimate head-trip. Disney does let their guard down to show sequences that were being readied in 1940 for future editions (including a recently restored short scored to "Clair de Lune"). Most tantalizing is a look at how the special effects were done in the original film. The guide is a scrapbook that one of the technicians kept and was discovered only in 1990. Fans can only hope a reproduction will be made available someday. --Doug Thomas

WALT DISNEY'S MASTERPIECE

It features a 120 volt AC pump with safety certifications and listings by UL and CSA. It is recommended for Intex 24' Easy Set, Frame Set pools, Ellipse Oval pools, Rectangular Frame pools and similar sized pools from other manufacturers. Hosing is 1.5" ID, inside diameter. Hardware stores will carry plumbing adapters that will allow you to use this pump with pools that have hook-ups with a larger or smaller inside diameter. Installation is very easy - just hook-up the hoses and plug the pump into a 110 to 120 volt outlet. The pump is double insulated for safety and long life. Pump features an air release valve for air trapped inside the filter chamber. Pump has a sediment flush valve at the bottom of the filter chamber for easier maintenance.